The couple separated in 1976 and divorced a decade later. He married his first wife, Barbara Brown, in 1956. Silverberg received a Nebula award in 1986 for his novella Sailing to Byzantium, which takes its name from Yeats' poem a Hugo in 1990 for Enter Another and in 2004 he was named a Grand Master by the Science Fiction Writers of America. a cycle of stories and novels set on the vast planet Majipoor, a planet much larger than Earth and inhabited by no less than six different species of planetary settlers. In 1980 he returned, however, with Lord Valentine's Castle, a panoramic adventure set on an alien planet, which has become the basis of the Majipoor series.

Silverberg won a Nebula award in 1970 for the short story Passengers, two the following year for his novel A Time of Changes and the short story Good News from the Vatican, and yet another in 1975 for his novella Born with the Dead.Īfter suffering through the stresses of a thyroid malfunction and a major house fire, Silverberg moved from his native New York to the West Coast in 1972, and announced his retirement from writing in 1975. In 1969 Nightwings was awarded the Hugo for best novella. Other acclaimed works of that time include To Live Again, in which the memories and personalities of the deceased can be transferred to other people The World Inside, a look at an overpopulated future and Dying Inside, a tale of a telepath losing his powers. That was followed by Downward to the Earth, a story containing echoes of material from Joseph Conrad's work, in which the human former administrator of an alien world returns after the planet's inhabitants have been set free. Perhaps the first book to indicate the new Silverberg was To Open the Sky, a fixup of stories published by Pohl in Galaxy Magazine, in which a new religion helps people reach the stars. The books Silverberg wrote during this time were widely considered to be a quantum leap forward from his earlier work. Thus inspired, Silverberg returned to the field that gave him his start, paying far more attention to depth of character development and social background than he had in the past and mixing in elements of the modernist literature he had studied at Columbia. Frederik Pohl, then editing three science fiction magazines, offered Silverberg carte blanche in writing for them. In the mid-1960s, science fiction writers were starting to become more literarily ambitious.

A Torre de Cristal by Robert Silverberg